Sunday, June 7, 2020

The Handmaid’s Tale Dissecting the Feminist Dystopia - Literature Essay Samples

‘If I wanted to say just one thing to one person, I would write a letter.’ 1- Margaret AtwoodGiven the feminist reputation of The Handmaid’s Tale – it has been called a â€Å"feminist dystopia†1 – it is convenient to make the facile assumption that the novel issues its warnings of political apathy exclusively to a female audience. While this argument is seemingly unsophisticated, it is not without foundation. Indeed, many of the novel’s female characters, including the narrator herself, are accused of political apathy, and it is the women of Gilead that are most impacted by its totalitarianism. However, this is an overly simplistic view of Atwood’s social commentary, as she extends her message to all people to avoid succumbing to a world such as the one she describes: the men too are left unsatisfied by the regime, while some women preside over others, demonstrating that the author’s message is not a typically feminist one ; at the same time, it is clear, as Coral Ann Howells argues2, that Atwood’s sympathies lie primarily with the handmaids. Nonetheless, it is important to remember that The Handmaid’s Tale offers warnings about issues other than totalitarianism, making comment, for example, upon the rise of religious fundamentalism that characterised global politics in the 1980s. It was of particular concern in the United States, where the New Right suddenly became a political force under the Republican presidency of Ronald Reagan, advocating a return to America’s Puritan inheritance.This essay will, however, challenge the assertion that the universality of Atwood’s message is issued through its genre as a social satire; this is instead achieved through a blend of different genres, of which social satire is just one. Indeed, The Handmaid’s Tale can also be categorised as a feminist novel or a dystopia, and it will be argued here that Atwood predominantly exploits th e latter of these categories, rather than that of social satire, in order to forewarn her readers, though they do overlap in several respects. Instead, the novel’s satiric elements seem to concern less harrowing matters than totalitarianism, focusing more upon the everyday life in Gilead and what the Washington Post Book World described as ‘some of the darker interconnections between politics and sex’3: the satire is therefore issued on a micro level, rather than a macro level as the question implies. The feminist implications in Offred’s narration seem to indicate that The Handmaid’s Tale is primarily targeted towards women. Indeed, her style exhibits what Hà ©là ¨ne Cixous termed ‘à ©criture fà ©minine’ (literally ‘gendered women’s writing’)4, which Elaine Showalter defines as ‘the inscription of the feminine body and female difference in language and text’5. This is most palpable on the evening of the monthly impregnation ceremony, during which Offred, in a refusal to be subjugated by the state-sanctioned rape of the Commander, poetically explores her body whilst naked in the bath. She used to think of it as an ‘instrument’, which she could control and utilise to satisfy her own desires, and which, while intrinsically limited, formed a ‘lithe, single, solid’ whole; now, however, she has been reduced to a ‘cloud’, a metaphor used to imply a loss of self-possession. This ‘cloud’ is congealed around a central object that is ‘the shape of a pear’; used to symbolise the womb, this has become ‘hard’ and ‘more real’ than Offred herself, suggesting that she is treated as a ‘national resource’ by the state and only valued for her child-bearing capabilities. To describe the rhythms of her menstrual cycle, she uses a cosmic analogy, comparing her ova to ‘Pinpoints of light†™ that are traversed by a ‘gigantic, round, heavy’ moon, which has long been associated with menstruation. When this moon disappears, she sees ‘despair coming towards me like famine’, a hyperbolic simile used to emphasise the pressure on the women of Gilead to conceive. The female body is a prevalent theme in Atwood’s work, and her poetic background is conspicuous in the explicative imagery of this passage, whose elements of extended metaphor and fluency epitomise Cixous’s literary theory. Offred’s style is therefore distinctly feminine at times, a narrative approach that could be seen to contract Atwood’s readership.In spite of her occasional lapses into ‘à ©criture fà ©minine’, however, Offred is distinctly un-feminist in several respects, which is perhaps an indication that the perceived audience of The Handmaid’s Tale is less narrow than an overwhelmingly female one. Indeed, as Arnold E. Davidson comm ents6, she is ‘passive’, ‘tellingly domesticated’ and ‘embodies the same sexual dualities that Gilead exhibits in their starkest form’. In this sense, therefore, she represents what Howells describes as a ‘moderate heterosexual feminism’, in contrast to Moira’s ‘separatist feminism’7. While Atwood is not critical of this moderatism (herself distrustful of ideological doctrine), she does warn against the political indifference of her narrator: Offred frequently laments her own indifference to her mother’s feminist activism, which, along with the political apathy of so many younger women, has contributed to the rise of the extreme right wing. As she now realises, ‘We lived as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it’. The paradox in the second sentence condemns such apathy, implying that young women consciously disregarded the feminist movement. Th e women that Offred criticises, including herself, can be classified as belonging to post-feminism (a term first used in the 1980s, at the time of writing), which is characterised by a backlash, or mere indifference, to the radical feminism that preceded it; Atwood therefore exploits the apathy of her protagonist and other female characters to criticise contemporary social developments, substantiating the opposing argument that The Handmaid’s Tale is predominantly a warning to women.Atwood vindicates her warning through the backdrop of a totalitarian theocracy, in which the women are subjected to numerous hardships that the men are not forced to endure; this arguably makes the novel more shocking to a female audience, and it therefore seems to exist as more of a warning to this particular group. To exemplify, the women of Gilead have been dispossessed of their original names, illustrated by the patronymics assigned to the handmaids: they adopt the name of their respective Com mander (hence ‘Offred’, ‘Ofglen’ and so on), which presents them as commodities and highlights the rigid patriarchy that has gripped American society. The fact that the reader never learns Offred’s birth name serves to emphasise her loss of personal identity. The remaining women in Gilead are granted similar anonymity, referred to by the functions that they perform; the ‘Aunts’, for example, are in charge of training and monitoring the handmaids, although this is an ironic title given their callous authority. The ‘Marthas’, meanwhile, are recommended to a life of domestic servitude; their name has a biblical origin, based upon a story in Luke 10: 38-42, in which Martha, sister of Mary and Lazarus, is preoccupied by ‘all the work she had to do’8. This allusion to Christianity is one of many in The Handmaid’s Tale, which serves to emphasise Atwood’s warning that religion can be used to justify all o f society’s ills. Contextually, this is a response to the rise of the New Right (and indeed religious fundamentalism in general), which pervaded global politics in the 1980s.Along with the loss of their names, Barbara Rigney points out a myriad of ways in which Gilead is particularly oppressive to its female population9: they have been stripped of all civil rights, they are forbidden to read or write, and their position essentially amounts to that of a slave. The issue that permeates most through Atwood’s novel, however, is the treatment of women as ‘two-legged wombs’ with no other purpose than to procreate. This is epitomised by the epigraph from Jonathan Swift’s A Modest Proposal10, a Juvenalian essay advocating the treatment of women and children as cattle, which Atwood uses to outline her thematic and satiric intentions. This comparison between women and cattle is not an isolated one in The Handmaid’s Tale, however: the handmaids are cont rolled by ‘electric cattle prods’, which are generally used to control breeding animals. The satirical intent of the aforementioned epigraph anticipates the tone with which Atwood will handle Gilead’s obsession with fertility. Indeed, the impregnation ceremony, which Rigney paradoxically yet appropriately describes as ‘pornographic and asexual’11, is laden with irony and humour, in spite of its perturbing subject matter. The sex is entirely devoid of feeling, highlighted by the coldness of the room, the fact that Offred remains fully clothed, and her description of the procedure as ‘fucking’, a stark verb that connotes emotional detachment; this is contrasted with the ‘ethereality and matter’ of the white canopy that hangs above them. The passionless atmosphere is furthered by the sense of regimentation, which is created through the ‘two-four marching stroke’ of the Commander and the description of Serena Joy a s ‘arranged’. Even the sexual act, therefore, has become a manifestation of the state’s methodical ethos. Offred’s use of the third person, ’One detaches oneself’, serves to maximise this effect. The importance placed on conception by Gilead has a contextual basis, as Atwood was writing at a time of rising infertility and birth-defect rates, which resulted from environmental pollution and natural disasters; her work frequently offers ecological warnings, as in her short stories Hardball and We Want It All, from Good Bones (1992)12. Her fictional state is therefore an embodiment of contemporary issues, whose solutions she warns against.Interestingly, however, Offred’s description of the ceremony, while rather blunt, has a ‘sense of humour about itself’, a quality that the New York Times discerned throughout the novel13. Indeed, she ironically comments upon the Commander’s sexual performance, ‘At least heâ€⠄¢s an improvement on the previous one’, and, despite being a victim of state-sanctioned rape, manages to find ‘something hilarious’ about the situation. Atwood is therefore comparable to Dickens, who, in novels such as David Copperfield and Great Expectations, exhibits a coalescence of the comic and the bleak14. This substantiates Amin Malak’s argument that the novel ‘avoids being solemn’ and ‘sustains an ironic texture throughout’15. Clearly, therefore, The Handmaid’s Tale is, at least in part, a social satire; however, Atwood does not harness this aspect of the novel to issue her warnings of political apathy. Indeed, her satire is more than often focused on small, private issues, which is significant given that the plot largely materialises in a domestic setting; this contrasts with Orwell’s masculine emphasis on state machinery in Nineteen Eighty-Four16. Nonetheless, as Malak points out, this satire serves to dis locate full emotional involvement, producing a Brechtian type of alienation17. In a sense, therefore, it distracts from the novel’s dystopian elements, which are Atwood’s main channel for issuing her warnings of political apathy: after all, her readership is more likely to heed Offred’s account of extremist social control rather than her humour underpinning it.This social control does not only affect the lives of women, however, but those of all Gileadean citizens, and so the statement is correct in its assertion that The Handmaids Tale extends its message to all audiences; to quote Malak, Atwood ‘refrains from convicting a gender in its entirety as the perpetrator of the nightmare that is Gilead’18. Indeed, as he also points out, it is rare that the novel’s male characters are portrayed as cruel, and ‘Even the Commander appears more pathetic than sinister, baffled with manipulative, almost, at times, a Fool’19. It must not be fo rgotten that he too has been stripped of his name (though not officially), referred to only by his job title. Furthermore, as Offred herself acknowledges, the impregnation ceremony is ‘not recreation’ but ‘duty’ for the Commander, and his eventual attempt at a private relationship is a pitiable failure, because, to quote Howells, ‘the personal has become inescapably political’20. Ultimately, he is just as isolated as the narrator, and his strange desire to play Scrabble with her, and indeed with her predecessor, illustrates the extent of his loneliness. Moreover, in spite of their superior position in the social hierarchy of Gilead, the male population are subservient in a more subtle respect: deprived of sex, it is often easy for them to be manipulated by their female underlings. Aware of her power, Offred teases the soldiers at the barrier by ‘flaunting her forbidden sexuality’, and they are forced to ‘touch with their eyes ’. A similar sense of sexual desperation is created when the doctor, sexually starved, offers to make Offred pregnant. The state therefore prohibits sexual urges in men as well as women, serving as a warning to both parties in this respect.In the same way that not all of Atwood’s male characters are two-dimensional villains, Malak shows that not all of her female characters are sympathetic either, demonstrating that the novel’s message is not a straightforward feminist one. He describes the Aunts as a ‘vicious à ©lite of collaborators’21, who, as Howells notes, bear marked similarities to leaders of the Concerned Women of America, a Christian women’s movement of the late 1970s and early 1980s that urged ‘family values’ and played a significant role in Congress’s withdrawal of support for the Equal Rights Amendment in 198022. They therefore represent anti-feminism (as opposed to the mere complacency of the younger women), and Atwood’s presentation of them as villains functions as a criticism upon the rise of religious fundamentalism. Indeed, they are portrayed as a paramilitary organisation, as signified by their khaki uniforms and their cattle prods, as well as propagandists of the regime, telling distorted tales of women living in pre-Gileadean society. They are also responsible for the most gruesome cruelties, such as the ‘Salvagings’ and ‘Particicutions’, as well as for individual punishments at the Rachel and Leah Centre. Their only individuation lies in Aunt Lydia, who, according to Howells, possesses a ‘peculiar viscousness’ under her ‘genteel feminine exterior’23. Indeed, she is responsible for the ‘dreadful spectacle of female violence’24 of the Particicution in which a man is accused of rape, in a perverse twist that sees women in violent command over men; the horror of this episode is vividly portrayed in Volker Schlà ¶ndorrf’s film adaptation of the novel, in which the handmaids visibly convulse with anger and engage in a bestial wave of hysteria and cruelty25. This scene is evidently influenced by the ‘Two Minutes Hate’ routine in Nineteen Eighty-Four26, during which Party members must watch a propagandist film conveying the enemies of the state and subsequently express their hatred for them. Atwood therefore employs elements of dystopian fiction to construct a terrifying world that serves as an effective warning to her readership.This nightmarish vision of the future is Atwood’s chief method for issuing her warnings of political apathy, and the ubiquitousness of its horror invites trepidation in all audiences. Malak articulates the salient features of a dystopia27, all of which are satisfied, although to varying degrees, by the Gileadean regime. First and foremost, he emphasises the exercise of absolute power in a dystopian society28, a quality very much present in The Handmaids Tale. Indeed, even the language is controlled by the state, in an attempt to manipulate the thoughts of its citizens: as Howells notes29, the rhetoric of ‘Aunts’, ‘Angels’ and ‘Salvagings’ takes words with reassuring emotional connotations and distorts them into euphemisms that become instruments of oppression. This is reminiscent of Orwell’s Newspeak, a fictional language in Nineteen Eighty-Four30, containing similar warnings about the dangers of propaganda and censorship. Malak also specifies the use of terror in a dystopia31, a feature reflected in the ruthless violence applied by Atwood’s theocratic state. Along with the Salvagings and Particicutions, the reader bears witness to spontaneous assault by the secret police on ‘an ordinary looking man’, which is described by Offred in a factual tone to emphasise that such spectacles are commonplace. The violence of Gilead contrasts with its fundamentalist Christian backdrop, demonstrating how religion, regardless of its pacifist doctrine, can be exploited for violent means in a political context, an idea based on an international range of models including Latin America, Iran and the Philippines, with more recent examples including Iraq and Afghanistan32. Offred’s declaration of ‘relief’ indicates how self-serving people become in totalitarian societies such as these. At the same time, however, Malak notes that the aim of dystopian fiction is not to ‘distort reality beyond recognition’, but ‘to allow certain tendencies in modern society to spin forward without the brake of sentiment and humaness’33; this is another feature met by the Gileadean regime, which is essentially an exaggerated representation of contemporary social trends. As stated in the ‘Historical Notes’, ‘there was little that was truly original with or indigenous to Gilead: its genius was synthesisâ€℠¢, a synthesis, to quote Howells, of ‘fundamentalist principles, late twentieth-century technology and a Hollywood-style propaganda machine’34. The novel therefore ends as a strong warning to learn from history, in order to avoid the development of a dystopian society such as Gilead.To conclude, The Handmaid’s Tale does indeed exist as a warning to all audiences to avoid the political apathy in which totalitarian regimes flourish: Atwood portrays not just the marginalisation of women but of men also, validating the comment from the New York Times that the novel exhibits ‘an ambivalence towards even its worst villains’35. It is therefore more comprehensive than its ‘feminist’ label suggests, its concern extending to include basic human rights. In addition, Gilead itself is unquestionably dystopian for all readers, and its depiction is therefore not gender-specific; indeed, the author exploits the horror and contemporary relevance of the r egime more than any other aspect of the novel to communicate her message. The satiric facet of The Handmaid’s Tale, meanwhile, is primarily encountered on a diminished scale in Offred’s account of the everyday life in Gilead. Nonetheless, this represents Atwood’s departure from traditional dystopian fiction: while her male predecessors have given textual priority to the structural relations between the private and public realms, this novel is told from the point of view of an ‘ignorant peripherally involved woman’36, a perspective also adopted in Atwood’s preceding novel, Bodily Harm37. Her narrative is therefore an incarnation of the 1970s feminist slogan, ‘The Personal is Political’38. For the reasons already outlined, however, the novel extends far beyond its feminist origins, and Gilead is ultimately, to quote Howells, a ‘failed utopia for everyone’39.

Sunday, May 17, 2020

The Cold War And The Soviet Union After World War II

The Cold War was a direct result of the feud between the United States and the Soviet Union after World War II. Due to this feud both countries made alliances, Canada went with the United States as well as many other countries and together formed NATO, the North Atlantic Treaty Organization. Following the influence and model of the United States’ social structure and capitalist economy, as well as the constant threat of nuclear warfare and communism, a new social structure was created within Canada. The Cold War created new identities and lifestyles for all Canadian citizens. This was done to eliminate communism, increase patriotism and as a way for Canadian citizens to work together to combat nuclear threats. Communism was a constant threat in Canada and was to be eliminated if not at least controlled at all costs. This meant that everyone had to act according to the new social structure, or risk suspicion of being a Soviet spy. This new social structure resembled harsh se xist stereotypes where the men are the breadwinners and the women are the homemakers. This type of relationship was called the nuclear family. This paper is going to look at the social roles that the Cold War created because of the threat of communism, nuclear warfare, governmental influence and social influence within Canada for men, women and children. The Role of Men Portrayal in the Media Men in World War II were seen as heroic and manly. They had an incredible amount of responsibility during bothShow MoreRelatedThe Cold War During World War II854 Words   |  4 PagesThe Cold War was a major event in the U.S. and Soviet Union’s history. The main reason that these two countries entered into the Cold War after World War II was power. The USSR and United States had two very different perspectives on power coming out of World War II. This disagreement ultimately caused the Cold War. Russia’s perspective after World War II was influenced by Joseph Stalin. Stalin, the leader of the USSR at the time, was a merciless dictator. His main concern was maintaining power andRead MoreBone, Ambria . English 11 B. April 17, 2017. The United1272 Words   |  6 PagesAmbria English 11 B April 17, 2017 The United States and the Soviet Union were fighting against each other; the Cold War was separated into three groups (Jerylin Watson). The nation’s economy is a very difficult balancing act. Cold War confrontations nearly always conducted through surrogates or economic pressure (David Painter). This is what happened when the tensions of the Cold War affected the United States and the world (Robert H. Dugger). The United States became the global consumer ofRead MoreCanada And The Cold War1514 Words   |  7 Pages Canada and the Cold War The Cold War is a time of managed political and military coercion and turmoil between the superpowers. 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Opposing ideologies on how to deal with the world’s affairs post World War II fueled this rivalry but there was always a tension between the two countries. World War II, with its common goal, brought these two countries together as allies. With Hitler and the Nazis threating their way of living these two countriesRead MoreThe United States And World War II956 Words   |  4 Pagesdominant countries in the world. The United States was brought into World War II when Japan bombed Pearl Harbor on December 7, 1941. This event took Americans by surprise and soon would lead to bigger problems. The United States did not take the bombing lightly, and we gave Japan exactly what they deserved. On August 6th and 9th in the year of 1945, the United States dropped atomic bombs in the cities of Hiroshima and Nagasaki. I believe this was a message to the rest of the world to show them the kind

Wednesday, May 6, 2020

Misunderstanding The Nature Of Company Performance The...

Week 1 Assignment 2 Shelby D. Williams Mid America Christian University MGMT 3213 Professor Annette Gunter 28 Jan 2017 Abstract This paper will be based on the California Review Management study called Misunderstanding the Nature of Company Performance: The Halo Effect and Other Business Delusions by Phil Rosenzweig. The research processes that have been completed on business performances over the years, and the strengths and weaknesses of the types of data used will be discussed. The Halo Effect will be evaluated, and examples from my career will be given to help with understanding the topic at hand. I will give thoughts, ideas, and solutions I plan to adapt and work on in my career to help avoid the Halo Effect in my daily life†¦show more content†¦For this research, the companies researched were chosen based on the independent variable of outcome---success. When researching how operations and other factors affect a company s success, the testing needs to include companies with different success levels. If the data are based only on successful companies, there is not any comparison to show what the y were doing differently to make them successful. For example, all of the successful companies have an owner, but that is not what makes them successful. All companies successful or not are owned by someone. The other studies that Rosenzweig explains are 1994---Built to Last: Successful Habits of Visionary Companies and 2001---Good to Great: Why Some Companies Make the Leap...and Other Don t. These studies are considered more accurate on the basis of successful companies being compared to less successful companies, but Rosenzweig points out a separate fault within. The latter cases did extensive research, but the majority of the data came from publications and articles published by journalists. Rosenzweig uses these to introduce the Halo Effect. He explains that these studies, though they are more thorough with the samples, the data are based on highly on biased information, instead of getting the raw data from the companies. The Halo EffectShow MoreRelatedIt Management Essay6676 Words   |  27 PagesChapter 1. The Information Systems Strategy Triangle Chapter Overview This chapter presents a very simple framework, the Information Systems Strategy Triangle, which links business strategy with organizational strategy and information strategy. The chapter describes this model, and builds on several other popular strategy models and organizational models. The goal of this chapter is to make sure every student has a basic understanding of both strategy and organizations (in many managementRead MoreHbr When Your Core Business Is Dying74686 Words   |  299 PagesTOP-TEAM POLITICS†¦page 90 WHEN YOUR CORE BUSINESS IS DYING†¦page 66 Y GE SE PA IN DS CK R M WA A 53 April 2007 58 What Your Leader Expects of You Larry Bossidy 66 Finding Your Next Core Business Chris Zook 78 Promise-Based Management: The Essence of Execution Donald N. Sull and Charles Spinosa 90 The Leadership Team: Complementary Strengths or Conï ¬â€šicting Agendas? Stephen A. Miles and Michael D. Watkins 100 Avoiding Integrity Land Mines Ben

Lewis Corp 6

Lewis Corp 6-2 Essay 6-2 Lewis Corporation* Lewis Corporation had traditionally used the FIFO method of inventory valuation. You are given the information shown in exhibit 1 on transactions during the year affecting Lewisaâ‚ ¬Ã¢â€ž ¢s inventory account. (The purchases are in sequence during the year. The company uses a periodic inventory method). Exhibit 1 Inventory Transactions 2000-2002  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   2000 Beginning Balance  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  1,840 Cartons @ $20. 0 Purchases   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   600 cartons @  Ã‚  Ã‚  Ã‚  20. 25   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   800 cartons @  Ã‚  Ã‚  Ã‚  21. 00   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  400 cartons @  Ã‚  Ã‚  Ã‚  21. 25   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  200 cartons @  Ã‚  Ã‚  Ã‚  21. 50   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Sales   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   2,820 cartons @  Ã‚  Ã‚  34. 0 2001 Beginning Balance   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  1,020 cartons Purchases   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  700 cartons @ 21. 50   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  700 cartons @ 21. 50   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  700 cartons @ 22. 00   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  1,000 cartons @ 22. 5 Sales   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   3,080 cartons @ 35. 75 2002 Beginning Balance  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nb sp;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  1,040 cartons Purchases   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  1,000 cartons @ 22. 50   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  700 cartons @ 22. 75   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  700 cartons @ 23. 0   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  700 cartons @ 23. 50 Sales   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  nbs p;  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  2,950 cartons @ 35. 75 Questions 1). Calculate the cost of goods sold and year-end inventory amounts for 2000, 2001, and 2002 using the (a) FIFO, (b) LIFO, and (c) average cost methods. 2). Lewis Corporation is considering switching from FIFO to LIFO to reduce its income tax expense. Assuming a corporate income tax rate of 40 percent, calculate the tax savings this would have made for 2000 to 2002. Would you recommend that Lewis make the change? 3). Dollar sales for 2003 are expected to drop by approximately 8 percent, as a recession in Lewisaâ‚ ¬Ã¢â€ž ¢s market is forecasted to continue at least through the first three quarters of the year. Total sales are forecasted to be 2,700 cartons. Lewis will be unable to raise its selling price from the 2002 level of $35. 75. However, costs are expected to increase to $24. 0 per carton for the whole year. Due to these cost/price pressures, the corporation wishes to lower its investment in inventory by holding only the essential inventory of 400 cartons at any time during the year. What is the effect of remaining on LIFO, assuming Lewis adopted LIFO in 2000? What method would you recommend now? 4). What is the LIFO reserve in 2000? What is the LIFO reserve in 2001? What is the significance of the LIFO reserve number? Ho w much did the LIFO reserve increase in 2001? What is the significance of this increase? 5). Despite continuing inflation in the United States in the 1980s and 1990s many companies continued to use FIFO for all or part of their inventories. Why do you believe this was the case. Read more: 6-2 Lewis Corporation* Lewis Corpora JustAnswer http://www. justanswer. com/questions/2ipt-6-2-lewis-corporation-lewis-corporation-had#ixzz0xJmcAyJy Accepted Answer 1a. COGS = 56,930, 66,240, and 66,385 respectively; YE inventory = 21,620, 23,130, and 27,720 resepctively. 1b. COGS = 58,150, 67,320, and 67,600 respectively; YE inventory = 20,400, 20,830, and 24,205 respectively. 1c. COGS = 57,685, 66,246, and 66,513 respectively; YE inventory = 20,865, 22,369, and 26,830 respectively. 2. Tax savings= 488 for 2000, 432 for 2001, and 486 for 2002. Changing to LIFO will defer taxes given the current expectations. 3. The effect of remaining on LIFO in this situation is that pre-tax income for 2003 will be higher by $1,915 and, therefore result in higher tax for thie year of $766. That still results in a net deferral from inception. 4. LIFO reserve in 2000 = $1,220. LIFO reserve in 2001= $2,300. The LIFO reserve is the cumulative deferred income due to using LIFO instead of FIFO. The LIFO reserve increased by $1,080 in 2001. This reflects the income deferral for 2001. 5. There are a couple of reasons that some companies did not switch to LIFO. There are additional costs involved in computing LIFO inventory and maintaining the records necessary to substantiate the calculations for the IRS. In addition, there is a LIFO conformity rule financial statements must reflect the same LIFO adjustments as the tax return. Because of that, switching to LIFO would cause the income reported on the financial statements to show a lower net income and many companies do not want to do that.

Monday, April 20, 2020

Beauty and the Beast (Beast POV) Essay Example

Beauty and the Beast (Beast POV) Paper Len a faraway castle, there I live. I have a huge house but Is filled with loneliness and dejection. For a long time, I am living alone. Yes, I am alone. I do not consider having a family with those talking teapots, mirrors, spoon and forks and so on. No one wished to be with me, cared for me, and loved me for who I become. I am hopeless, until one day After I visited the beautiful roses in my garden, a heavy rain poured out. There is a storm, I thought to myself. Strong winds blew hard, and rain drops trembled the night. As I go to my bed, I saw a merchant heading off to my house. He looked so cold and weary, I told. Out of pity, I decided to open the front door so he could stay for a while. I also served splendid dinner lay on the table to fill his stomach such a delight. As he enter the main hall, I rushed to the back of a door, silently listened to his cry. Hello Anybody there? he spoke. That moment, I thought to gradually show myself but then again, I refused. Hello He yelled again. He now saw the dinner that I prepared. We will write a custom essay sample on Beauty and the Beast (Beast POV) specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Beauty and the Beast (Beast POV) specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Beauty and the Beast (Beast POV) specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Eat them all, my guest, I whispered to myself. After his dinner, I slowly moved to my bedroom. l will now prepare his bed. I know he Is very tired and sleepy, I said happily. The merchant went upstairs and entered the bedroom. l can have my very good sleep, he said. My heart was filled with joy after hearing that. After a moment, the merchant fell asleep. It was heart-warming to help others, I told to myself before I closed my eyes to sleep. I wake up early to prepare my visitors breakfast. I went on his room and had placed a mug of steaming coffee and some fruit by his bedside. The merchant had breakfast, and after tidying himself up, he went downstairs. l want to thank whoever brought those delicious foods for me and let me sleep for the night, he shouted to my house. Uniform welcome, I whispered with a smile. The merchant waited for me. I know. But I can never show myself to him. I dont want to be rejected nor hated because of my appearance. But few moments passed, something happened How dare you! Ungrateful man! I gave you shelter, you ate at my table and slept In my own bed, but now all the thanks I get is the theft of my favorite flowers! These roses are important to me. I shall put you to death for this slight, I shouted at the top of my lungs. I did not control my anger to him. I was also shocked on what I just did. I never wanted to terrify him but my emotions was uncontrollable. Please forgive me! Im pleading you, he said. l only picked it because of my daughter. I promised her to bring back a rose from my Journey! , he added. l will not let you die but for one condition, bring your daughter here, I said. The merchant promised me that he will bring her lovely daughter in my castle. That night, I started to wonder how she looks. I think she has a silky black hair, kissable red lips, flawless fair color and rosy cheeks, I told to myself as I am having my daydream. I cant Walt to see her actually. I wanted to meet her for I know that she has a good heart like her father. Can she accept me? Can she love me? Theres so many questions on my mind. But one thing I know for sure, I want her in my life. Its not my intention to imprison her, but asking his father to bring her to Hello Anybody home? I am awaken by a very sweet voice coming from the hallway. As if a nightingale is singing. Alas, I forgot that today is the coming of my visitor! I rushed to fixed myself. I am getting excited! I put on my best robe and wear my best shoes. Now, I am ready. What are you doing here? I asked the young lady. Oh well, I am here because of my fathers promise, she replied. She is so lovely. Shes more than I thought in my dreams. I cant take away my eyes on her as she speaks. Muff will stay here, I said. Days passed, and my feelings gets stronger for her. It was so amazing how she captured my heart. At first, she refused to talk to me. I understand her. I have this monster awful head. Theres always a silence between us. But it changed. We always have a conversation now. I enjoyed her company that lead me to make my most precious decision in life: to ask her for marriage. Above me, the stars were out in full, and air was fresh with the earthy scent. I went to Belle, and held her hand. As we watched the glazing stars like specks of silver paint on a canvas, I decided to ask her. I kneeled and said, will you be mine forever? I know two things might happen: its either she will say miss, or I will receive a No. And the latter broke my heart. Life goes onthats what I believe. One day, I decided to give her a present. l want to give this to you. I know that you miss your family a lot. You can see and talk to them through this magic mirror, I said. She was surprised, I saw it on her eyes. The truth is, I felt a little awkwardness that morning. What a strange feeling! I cant speak to her, maybe because Im still broken. After few days, Belle talked to me. l need to see my father. She was crying hardly. My father is ill. He needs to see me. I never wanted to see her crying. So, I allowed her to visit her father but leaving a promise that she will come back after seven days. I became weak and lonely after she left. I truly changed a lot. I know it. And it is because of her. I appreciated everything I have because of her. I became contented and most of all, I learned how to love. Not only her, but others and myself as well. The days flashed past, and shes still not coming back. l need her back or else, I will die, I told myself. For seven days, I lived in a melancholic way. Until the terrible night has come My time has come. Dont die! Dont die! Ill marry you At these words, a miracle took place. I was revived and my ugly snout turned magically into the face of a handsome young man. How Eve been waiting for this moment! I said with Joy. l was under a curse and suffering in silence, and couldnt tell my frightful secret. An evil witch turned me to a monster and only the genuine love of a maiden willing to accept me for who I am will break the curse. And let me transform back to my real self. I never gave up my feelings for you, for I hope one day you will realize that you can love me too And I was right, I added. Can I held your hand? I asked her. Of course, she replied. For the second time around, now with all my heart, will you be mine forever? Once upon a time Len a faraway castle, there I live. I have a huge house that is now filled with happiness and love. For a long time, I am living alone. Yes, I am alone before, but not today. I now have my family that composes of my lovely wife and our children. No one wished to be with me, cared for me, and loved me until Belle came to my life. I am hopeless before, until I met my princess and we proved that fairy tales do come true.

Sunday, March 15, 2020

How to Make Bubble Print Pictures

How to Make Bubble Print Pictures Bubble prints are like fingerprints, except made with bubbles. You can make bubble prints and learn about how bubbles are shaped and how pigments combine to make different colors. Bubble Print Materials Bubble prints are made by coloring bubble solution, blowing bubbles, and pressing paper onto the bubbles. You need brightly-colored bubbles in order to get a good picture. Tempera paint powder works really well, but you can substitute other water-soluble paints if you like. bubble solution (buy it or make your own)tempera paint powderpaperstrawssmall plates Make Colored Bubble Solution Pour a little bubble solution onto the bottom of a plate.Stir in paint powder until you have a thick paint. You want the thickest paint you can get, yet still be able to make bubbles using it. If you get the three primary colors of tempera paint then you can mix them in order to make other colors. You can add black or white paint, too. Primary Colors BlueRedYellow Secondary Colors - Made by mixing two primary colors together. Green Blue YellowOrange Yellow RedPurple Red Blue Make Bubble Prints Put the straw into the paint and blow bubbles. It may help to tilt the dish slightly. You can experiment with a few large bubbles versus many small bubbles.Touch the bubbles with a sheet of paper. Dont press the paper down into the paint - just catch the impressions of the bubbles.You can switch between colors. For multicolored bubbles, add two colors together but dont mix them. Blow bubbles into the un-mixed paints. Learn About Bubbles Bubbles consist of a thin film of soapy water filled with air. When you blow a bubble, the film expands outward. The forces acting between the molecules of the bubble cause it to form the shape that encloses the most volume with the least surface area a sphere. Look at the bubble prints that you have made. When bubbles stack, do they remain spheres? No, when two bubbles meet, they will merge walls to minimize their surface area. If bubbles that are the same size meet, then the wall that separates them will be flat. If bubbles that are different sizes meet, then the smaller bubble will bulge into the large bubble. Bubbles meet to form walls at an angle of 120Â °. If enough bubbles meet, the cells will form hexagons. You can see this structure in the images you make in this project.

Friday, February 28, 2020

Exploring the need for Department of Homeland Security in USA Essay

Exploring the need for Department of Homeland Security in USA - Essay Example This directorate is responsible to bring the operations of the major border security and transportation under one command , including: office of the domestic preparedness, Us customs service, immigration and naturalization service, federal protective service, federal law enforcement training center and animal and plant health inspection service. This directorate was made responsible to overseeing the preparedness for domestic disaster training and coordinating government response to disasters. This directorate was also responsible to bring the federal emergency management agency, the national disaster medical system and strategic national stockpile under unitary command. This directorate was made responsible to seek and utilize all scientific and technological benefits when the need for securing the homeland of USA is felt. The following assets accrued to this directorate included from the Environmental Measurements Laboratory (Energy), National BW Defense Analysis Center and Plum Island Animal Disease Center of Agriculture. This Directorate is made responsible to analyze intelligence and other relevant information from agencies, including the CIA, FBI, DIA and NSA. That involved threats to homeland security. This directorate was to bring together the federal computer incidence response centre, national infrastructure protection centre, national security and assurance program and critical infrastructure assurance office. Directorate of Secret Service and Coast GuardThis directorate had to be located in the headquarters of the department of homeland security and to remain directly reporting to the secretary of the department. The coast guards were responsible to protect the US maritime boundaries. The Secret Service had to remain intact and its fundamental mission would remain to be the safeguarding the President and other key government officials. The Secret Service was also to continue to consistently provide security for important national events. This is interesting to know that the DHS is a strong bureaucracy within itself. The functions performed by the directorates within DHS have to go through a lot of red taps. The emergency response and preparedness, remains, so often, questionable (Noam, Chomsky, 2005).The mission statement, objectives and real functions can only be realized, when there is democratic decision making process and, swift and easy response process. After establishment of the DHS, no